Just as the sun set behind the hillside in Woodminster Amphitheater in…
Pennsylvania actress Lee Minora, who’s bringing her satirical one-woman show “White Feminist”…
Even a whirlwind trip to the Oregon Shakespeare Festival in Ashland offers…
At one point in Sarah Burgess’ little gem of a play, “Dry…
Though the lessons in “The School of Rock” are fairly thin, the…
On opening night of his presentation at The Marsh in San Francisco,…
David Henry Hwang’s new “Soft Power,” a fun, smart concoction -- a…
American Conservatory Theater’s new musical “A Walk on the Moon” sticks closely…
Don’t worry about the awkward title. Jonathan Spector’s “Good. Better. Best. Bested.,”…
Bay Area playwright Barry Eitel isn’t impressed by tech giants. To some,…
In California Shakespeare Theater’s production of Octavio Solis’ gorgeous tapestry of a…
Patti LuPone has learned a few things in her 45 years in…
Given the feckless state of current congressional committees, a look back into…
In white South African playwright Athol Fugard’s 1979 three-hander “A Lesson from…
The humans who comprise the loving, rambunctious Irish-American Blake family in playwright…
When screenwriter Pamela Gray was approached about turning her 1999 film “A…
The program for Theatre Rhino’s “Priscilla, Queen of the Desert The Musical,”…
Unwanted pregnancy, confused sexuality, the yearning for a sense of belonging and…
Porcine aviation is the current goal at New Conservatory Theatre Center, and…
Among the very first Tim Rice lyrics sung by Judas in “Jesus…
