Museums and Galleries

“Annabeth Rosen: Fired, Broken, Gathered, Heaped” compiles unorthodox works from the artist’s long career. (Photo by Gary Zvonkovic)

Annabeth Rosen’s wild things at Contemporary Jewish Museum

‘Fired, Broken, Gathered, Heaped’ collects ceramicist’s singular works

“Annabeth Rosen: Fired, Broken, Gathered, Heaped” compiles unorthodox works from the artist’s long career. (Photo by Gary Zvonkovic)
Labor of Love’s Natasha and Ali pose with “Resurrection,” their metal and resin butterfly, on view in Yerba Buena Center for the Arts’ exhibition “Art of Peace.” (Leslie Katz/S.F. Examiner)

Weapons transform into eye-catching ‘Art of Peace’

YBCA exhibition aims to heal, end gun violence

Labor of Love’s Natasha and Ali pose with “Resurrection,” their metal and resin butterfly, on view in Yerba Buena Center for the Arts’ exhibition “Art of Peace.” (Leslie Katz/S.F. Examiner)
“Piazza Grande in Burano,” shot in Venice in 1957 by Piergiorgio Branzi, is part of “NeoRealismo: The New Image in Italy, 1932-1960.” (Courtesy Fondazione Forma/Contrasto Galleria Milano)

Post-World War II Italy in vivid black-and-white

‘NeoRealismo’ showcases images from 1932 to 1960

“Piazza Grande in Burano,” shot in Venice in 1957 by Piergiorgio Branzi, is part of “NeoRealismo: The New Image in Italy, 1932-1960.” (Courtesy Fondazione Forma/Contrasto Galleria Milano)
“El Tigre” (2009) is a re-interpretation of Ed Hardy’s iconic self-portrait. (Courtesy Don Ed Hardy/Fine Arts Museums of San Francisco)

Ed Hardy exhibit shows all sides of tattoo artist

‘Deeper than Skin’ looks back on long career beyond the brand

“El Tigre” (2009) is a re-interpretation of Ed Hardy’s iconic self-portrait. (Courtesy Don Ed Hardy/Fine Arts Museums of San Francisco)
“Self, Made: Exploring You in a World of We” at the Exploratorium is an exhibition combining psychology and pop culture, including a close-up view of costumes from the movie “Black Panther.” (Courtesy Exploratorium, www.exploratorium.edu)

‘Self, Made’ poses fun, provocative questions

Interactive Exploratorium show mixes science, sociology

“Self, Made: Exploring You in a World of We” at the Exploratorium is an exhibition combining psychology and pop culture, including a close-up view of costumes from the movie “Black Panther.” (Courtesy Exploratorium, www.exploratorium.edu)
A humorous work by Kitagawa Utamaro is in on view in “Tattoos in Japanese Prints.” (Courtesy Museum of Fine Arts, Boston)

Tattoos get high-art treatment in museum show

19th century Japanese practices relate to present-day S.F.

A humorous work by Kitagawa Utamaro is in on view in “Tattoos in Japanese Prints.” (Courtesy Museum of Fine Arts, Boston)
Dede Wilsey (pictured at the San Francisco Opera ball in 2010 with John Traina) will step down from Fine Arts Museums’ board of trustees’ presidency. (Drew Altizer/Special to S.F. Examiner)

Dede Wilsey to leave Fine Arts Museums presidency

Board member Jason Moment expected to take post in wake of long controversy

Dede Wilsey (pictured at the San Francisco Opera ball in 2010 with John Traina) will step down from Fine Arts Museums’ board of trustees’ presidency. (Drew Altizer/Special to S.F. Examiner)
The Japanese Tea Garden is among the participating attractions in the San Francisco Museums for All program. (Melissa Vong/S.F. Examiner)

Summer program offers free museum entry to city residents

People on public assistance pay no admission at 15 S.F. institutions

  • May 22, 2019
The Japanese Tea Garden is among the participating attractions in the San Francisco Museums for All program. (Melissa Vong/S.F. Examiner)
“Whisper, the Waves, the Wind,” Suzanne Lacy and Sharon Allen’s 1984 performance piece with mature women in Southern California, is pictured in “We Are Here” at the San Francisco Museum of Modern Art. (Courtesy Suzanne Lacy; photo by Edith Kodmur)

Up close with performance pioneer Suzanne Lacy

SFMOMA, YBCA spotlight California conceptual artist

“Whisper, the Waves, the Wind,” Suzanne Lacy and Sharon Allen’s 1984 performance piece with mature women in Southern California, is pictured in “We Are Here” at the San Francisco Museum of Modern Art. (Courtesy Suzanne Lacy; photo by Edith Kodmur)
Erik Kessels’ thought-provoking installation “24HRS in Photos” compiles prints of images uploaded to Flickr in one day. (Courtesy Erik Kessels)

Photo play

Fun SFMOMA show explores changing methods of image delivery

Erik Kessels’ thought-provoking installation “24HRS in Photos” compiles prints of images uploaded to Flickr in one day. (Courtesy Erik Kessels)
A Parasaurolophus and its young are at the California Academy of Sciences during “Dino Days.” (Courtesy California Academy of Sciences)

Where the dinosaurs roam in Golden Gate Park

Cal Academy’s ‘Dino Days’ continue through May 5

A Parasaurolophus and its young are at the California Academy of Sciences during “Dino Days.” (Courtesy California Academy of Sciences)
“Tomorrow Will Be Fine II” reflects Wanxin Zhang’s humor and spirituality. (Courtesy Wanxin Zhang)

Sculptor Wanxin Zhang pushes clay’s boundaries

Inspired by the late Robert Arneson and his friend Ai Weiwei, internationally…

“Tomorrow Will Be Fine II” reflects Wanxin Zhang’s humor and spirituality. (Courtesy Wanxin Zhang)
Participants in the Night Owl Ceremony outside the de Young Museum. (Jonathan Ross/Special to S.F. Examiner)

Enjoying the weirdness of San Francisco that remains

The instructions were to meet some “distributors of magic” at the corner…

Participants in the Night Owl Ceremony outside the de Young Museum. (Jonathan Ross/Special to S.F. Examiner)
San Francisco artist Kristine Mays, whose sculptures expressing the human form through hundreds of individual pieces of wire are featured at the African American Arts and Culture Complex in the display "Brutally Soft" through March 24, at the complex's Sargent Johnson Gallery in the Fillmore District. (Kevin N. Hume/S.F. Examiner)

An artist wired for humanity

“I love San Francisco,” wire sculptor Kristine Mays laughed, realizing she had…

San Francisco artist Kristine Mays, whose sculptures expressing the human form through hundreds of individual pieces of wire are featured at the African American Arts and Culture Complex in the display "Brutally Soft" through March 24, at the complex's Sargent Johnson Gallery in the Fillmore District. (Kevin N. Hume/S.F. Examiner)
“Weeping Willow” (1918–19) in "Monet: The Late Years," loaned from Kimbell Art Museum in Texas, displays Monet’s ability to conjure emotion. (Photo courtesy Robert LaPrelle)

Monet as modernist: Impressionist master changes style in final years

Having helped change how artists depicted the world in the late 1800s,…

“Weeping Willow” (1918–19) in "Monet: The Late Years," loaned from Kimbell Art Museum in Texas, displays Monet’s ability to conjure emotion. (Photo courtesy Robert LaPrelle)
Curator Kathy Zarur at the California College of the Arts San Francisco main campus on Thursday, Jan. 17, 2019. (Kevin N. Hume/S.F. Examiner)

For a roving and well-traveled local, there’s no place like home

“I spent my entire adult life trying to run away from here…

Curator Kathy Zarur at the California College of the Arts San Francisco main campus on Thursday, Jan. 17, 2019. (Kevin N. Hume/S.F. Examiner)
The 1894 oil “Reclining Tahitian Women” is a centerpiece of the deYoung Museum exhibition. (Courtesy Ole Haupt © Ny Carlsberg Glyptotek, Copenhagen/ FAMSF)

Gauguin’s changing styles reflect a spiritual journey

Paul Gauguin, the French post-impressionist painter and rule-breaker whose flattened imagery, bold…

The 1894 oil “Reclining Tahitian Women” is a centerpiece of the deYoung Museum exhibition. (Courtesy Ole Haupt © Ny Carlsberg Glyptotek, Copenhagen/ FAMSF)
Huang Yong Ping’s “Theater of the World” and “The Bridges,” installations originally with living animals that prompted protests at New York’s Guggenheim Museum, are on view in “Art and China After 1989: Theater of the World” at SFMOMA. (Courtesy Huang Yong Ping/David Heald)

Contemporary conceptual Chinese art urges inquiry

Provocative and conceptual Chinese artists from three turbulent decades address globalism and…

Huang Yong Ping’s “Theater of the World” and “The Bridges,” installations originally with living animals that prompted protests at New York’s Guggenheim Museum, are on view in “Art and China After 1989: Theater of the World” at SFMOMA. (Courtesy Huang Yong Ping/David Heald)
San Francisco Symphony’s Michael Tilson Thomas is among many Bay Area arts leaders stepping down in the not-too-distant future. (Courtesy Art Streiber)

Bay Area arts organizations see changes at the top

After years, sometimes decades, of steady leadership, major Bay Area arts organizations…

San Francisco Symphony’s Michael Tilson Thomas is among many Bay Area arts leaders stepping down in the not-too-distant future. (Courtesy Art Streiber)
Poet-writer-activist Chinaka Hodge appears on Saturday at the 2018 YBCA 100 Summit, a gathering of people and groups dedicated to making change and social justice. (Courtesy YBCA)

Activists unite for change at YBCA 100 Summit

For each one of the 100 people and organizations being honored at…

Poet-writer-activist Chinaka Hodge appears on Saturday at the 2018 YBCA 100 Summit, a gathering of people and groups dedicated to making change and social justice. (Courtesy YBCA)