In her solo show “Bravo 25: Your A.I. Therapist Will See You Now” at The Marsh, Eliza Gibson cleverly imagines…
On opening night of his presentation at The Marsh in San Francisco, Dale Thorhammer, a self-described “success coach to the…
“A Fatal Step,” which Jill Vice calls “the outrageous one-woman noir,” plays like a mini-movie in which the wildly talented…
In her solo show at The Marsh, Diane Barnes asks some provocative questions, such as: “Did I need a stroke…
At the outset of his new storytelling session, with dining, Charlie Varon proudly points to the sign on the wall…
At the outset of “Each and Every Thing,” Dan Hoyle greets his audience, “Let’s take a deep breath and turn…
In “Holding the Edge,” her one-woman show at The Marsh in San Francisco, Elaine Magree tells a story of one…
The title of Maureen Langan’s solo show, “Daughter of a Garbageman,” now at The Marsh, may be unprepossessing, but make…
There are many parts of Al Letson’s one-man show that are truly moving. One is when he, a black man,…
Anyone who has worked for a corporation, or known someone who’s worked for a corporation, or dealt with a corporation,…
