Politics, culture clashes and generational divides are recurring themes for playwright Lauren Yee. The recent production of her “King of…
The first scene of “Office Hour” feels eerily familiar. Three writing teachers at a nameless university gather to discuss a…
As the always politically conscious Berkeley Repertory Theatre expected, American playwright Lillian Hellman’s drama “Watch on the Rhine” feels uncomfortably…
“You’re in a hormonal storm,” writer-performer Sandra Tsing Loh’s friend informs her early on in Tsing-Loh’s new play, “The Madwoman…
