About a decade ago, British actor Olly Alexander launched quite a career, appearing in overseas films (“Enter the Void,” “God Help the Girl”), TV (“Skins”) and onstage, acting alongside his good friend Ben Whishaw in 2013. But he hasn’t accepted a new part in recent years because he has no spare time, thanks to fans’ overwhelming positive reaction to “Communion,” the 2015 techno-pop debut of his trio Years & Years. He’s still stunned by it. “It sometimes feels like a lottery ticket I’ve won, like, ‘Wow! How did this happen?’” says Alexander, 28. He put a lot of time and thought into the group’s recent sophomore effort, a concept album called “Palo Santo.” “So I haven’t done any acting, I mean nothing,” he says.
What amazing experiences have you had as you rocketed to stardom?
There were so many. 108 days ago I met Rihanna — that was a big one. And we had a sold out show at Wembley Arena — again, how the hell did that happen? And playing Glastonbury was just incredible. Ever since I was a little kid, Glastonbury has always been the biggest and the best festival, so that was definitely a lifetime moment. I feel like the world has expanded for me. Now I’ve been to all these countries and cities that I never would have seen otherwise.
Did you explore each town? Or just relax in the new hotel room?
Sometimes it’s nice to just stay in the hotel and do nothing. But on our last tour of the States, I would find different things to do in every city. In Cleveland, I went to the most popular cemetery. I mean, who knew? In Minneapolis, I went to a waterfall that was supposed to be very beautiful, and it was. In San Francisco, I went to the Castro, obviously (he’s been out since age 19), then went by Harvey Milk’s old office, then had some good Chinese food in the Mission, and went to Muir Woods, which was such a magical place, I felt like I was communing with the goddess of nature.
And “Palo Santo” is a futuristic concept album?
I just have a personal fascination with science fiction, and specifically AI, and the way it’s changing what it means to be a human being. So I depicted an android society that’s obsessed with human beings, because they’re modeled on us, but they lack the capacity to fall in love.
Maybe you could turn it into a screenplay for your return to acting?
I would love to. But it would cost a lot of money, and it would require a lot of time. But I am open to doing something like that.
IF YOU GO
Years & Years
Where: Warfield, 982 Market St., S.F.
When: 8 p.m. Oct 28
Tickets: $28 to $40