Stephen Lawrie of The Telescopes says he likes to stay in flux when it comes to songwriting. (Courtesy Tapete Records)

Stephen Lawrie of The Telescopes says he likes to stay in flux when it comes to songwriting. (Courtesy Tapete Records)

Telescopes keep defying expectations

‘Songs of Love and Revolution’ new from noise rock band


Since debuting with the dissonant album “Taste” in 1989, Stephen Lawrie’s English noise-rock outfit The Telescopes has had a revolving lineup of like-minded musicians, including San Francisco guitarists Andy Liszt and Chris Fifield from the psychedelic combo LSD and the Search for God.

And since 1992, after signing to then-sizzling UK imprint Creation for a self-titled recording, Lawrie has breezed through countless labels, never settling in one sonic place long enough to be pigeonholed.

It’s the way Lawrie likes it.

“It’s just The Telescopes,” he says, vaguely, of the band’s latest 12th album “Songs of Love and Revolution,” released Feb. 5. “It just exists in a dimension all its own.”

Sinister, droning songs like “Mesmerised,” “Strange Ways” and “This is Not a Dream” feel akin to the bass-heavy Joy Division jamming with feedback-feral Jesus and Mary Chain, underscored by tom-tom thumps.

But Lawrie, 51, speaking from his home in Shropshire, already has recorded, mixed and pressed its April follow-up, which is jangly and hushed, mostly acoustic.

“Then the next one after that, which I’m starting to write, is going to be completely different to the last two,” he says, adding, “But I’m not giving anything away about that one just yet.”

He’s juggling several other projects simultaneously, too, like writing a libretto for a friend’s rock-musical film, and an upcoming collaboration with British group The Vanishing Lines.

In the early Telescopes days, Lawrie made career moves at his leisure.

A decade passed before he issued “Third Wave” on Double Agent Records, then formed his own Antenna imprint for 1985’s “#4.”

He says loss of clarity accounted for all that down time.

After signing to Oasis-renowned Creation, he says, “I just felt bombarded with opinions about how this thing could be more successful, although I never sat down thinking, ‘I’m going to write a hit record.’ But that’s what became expected of me — a certain kind of hit record, and I just don’t operate like that. So I started learning all the new technology instead. Computers were just coming in, and samplers and sequencers and music software programs.”

Lawrie even mastered graphic software programs so he could create his own Telescopes album artwork.

He refused to be tethered to just one record company again, and inked new contracts with each album’s completion. He didn’t enjoy watching his shifting songwriting styles idling for long; “strike while the sonic iron was hot” became his motto.

“I like to keep it in flux, so that there might be little ideas that you tried which then spark another line of thought, which then gives way to more ideas,” he says. “Most labels don’t want to put out a new album every year, but I’m getting to the stage where I do. And the more you do it, the more fluid it becomes, and the more you want to put out.” He coughs, in punctuation, “Uh, while you can.”

His throat-clearing isn’t forced. Lawrie’s significant other is a frontline National Health Service worker in Britain, and his cough began 21 days ago, when she first tested positive for the coronavirus, suffering standard symptoms, like loss of the sense of taste and smell.

Now, she’s COVID-free, but Lawrie is experiencing constant throbbing pain in his left arm and shoulder and an unusual recurrence of long-dormant arthritis aches from his 30s.

“It’s nothing like the regular flu, I’ll tell you that much,” he adds. “Some of the aches and pains are like being hit by a hammer, plus there’s the anxiety of not knowing what’s going to happen in the morning, not knowing what you’re going to wake up to the next day. Some mornings, you just want to go back to bed. I’ve never scrutinized every twinge so much in my entire life,” he says.

Fans expecting a suitably grim batch of new Telescopes dirges will probably be disappointed, despite the bleak, foreboding tones on “Songs of Love and Revolution,” he says, “Because sometimes, you can be in dark times like these and write something really inspirational, something very positive.”

Pop Music

If you find our journalism valuable and relevant, please consider joining our Examiner membership program.
Find out more at

Just Posted

Deputy public defender Chris Garcia outside the Hall of Justice on Wednesday, June 16, 2021. (Kevin N. Hume/The Examiner)
As pandemic wanes, SF public defender hopes clients will get ‘their day in court’

Like other attorneys in San Francisco, Deputy Public Defender Chris Garcia has… Continue reading

Hyphen hosts a group show at Space Gallery in San Francisco in 2010. (Photo courtesy of Albert Law/Pork Belly Studio)
What’s in a name? Asian American magazine fights to keep its identity

An investor-backed media group laid claim to the moniker of SF’s long-running Hyphen magazine, sparking a conversation about writing over community history

A warning notice sits under the windshield wiper of a recreational vehicle belonging to a homeless man named David as it sits parked on De Wolf Street near Alemany Boulevard on Friday, Aug. 31, 2018. A proposed SF Municipal Transportation Agency law would make it illegal for overnight parking on the side street for vehicles taller than seven feet or longer than 22 feet. (Kevin N. Hume/S.F. Examiner)
Fight over ‘poverty tows’ heats up

‘What can we do to ensure the vehicle stays in the hands of the owner?’

Crab fisherman Skip Ward of Marysville casts his crab net out off a pier near Fort Point. (Craig Lee/Special to The	Examiner)
San Francisco came back to life, and we captured it all

Last spring, in the early days of the pandemic, the bestselling authors… Continue reading

Revelers at Madrone Art Bar in the early hours of June 15, 2021 (Courtesy Power Quevedo).
No social distancing at Motown-themed dance party

‘I don’t care how anyone feels, I just want to dance!’

Most Read