Acrobatic Conundrum, a contemporary circus from Seattle, performs Saturday and Sunday. (Courtesy Emiliano Ron)

Acrobatic Conundrum, a contemporary circus from Seattle, performs Saturday and Sunday. (Courtesy Emiliano Ron)

SF aerial arts fest looks back and moves forward

With obvious connections to circus and a vertical movement platform tilted 90-degrees from the norm, it’s easy to dismiss aerial dance as acrobatic antics performed on an upright playground. The third biennial San Francisco Aerial Arts Festival running Friday through Sunday throughout Fort Mason might seem to be largely spectacle.

But a closer look, and insights from Joanna Haigood, artistic director of San Francisco-based festival presenter Zaccho Dance Theatre, reveal sophisticated artistry, centuries-old traditions and highly specialized technology undergird aerial dance.

This year’s three-day festival offers a full spectrum experience.

A Youth Performance Showcase at noon Saturday in Cowell Theater features emerging talent from Zaccho, Oakland-based BANDALOOP/Destiny Arts and other Bay Area training programs, and other ticketed events offer performances by top professionals.

On Sunday, following a 3 p.m. show with Seattle-based contemporary circus company Acrobatic Conundrum, BANDALOOP and Veronica Blair (formerly of Universoul Circus), is “The Routes of Vertical Dance.” The lecture by Wanda Moretti, artistic director-choreographer for Il Posto from Venice, Italy details the history of celebrated vertical movement artists and features 14 short films, some rarely screened. The presentation also includes a discussion with aerial dance pioneers Haigood and Amelia Rudolph of BANDALOOP.

Acrobatic Conundrum, a contemporary circus from Seattle, performs Saturday and Sunday. (Courtesy Emiliano Ron)

In the Firehouse from 1 to 3 p.m. Saturday is a book release party with Terry Sendgraff, author of the autobiography, “Can You See Me Flying? Memoir of an Aerial Dance Pioneer.”

Special workshops at 10 a.m. Saturday allow participants to explore flight in low-flying bungees or learn safe practices and skill building.

All of which indicates the remarkable growth of aerial dance from its origins.

“Early forms of aerial dance that are still known are the ceremony/ritual dance of Los Voladores in the Papantla in Veracruz, Mexico,” says Haigood. “Another personal inspiration for me are the Japanese fireman’s ladder drills.”

Aerial arts in 2018, Haigood says, have stretched into everything from high art dance to opera to pop star performances.

In the Bay Area alone, aerial dance staked its claim in flying and theatrical aerial elements in productions such as Peter Brook’s 1970 production of “A Midsummer Night’s Dream,” Sendgraff’s trail-blazing trapeze artistry in the early 1970s and more.

Training centers and professional companies further established it as a place of creativity and invention through the San Francisco School for Circus Arts (now Circus Center); Rudolph’s BANDALOOP company; artistic director Jo Kreiter’s site-specific, apparatus-based Flyaway; and other companies and independent artists.

More indoor venues with aerial capabilities are helpful, although locating structures appropriate for rigging in nontraditional spaces and out of doors remains a challenge.

“This year we’re expanding into the Cowell Theater and are very excited about presenting work in this beautiful theater,” says Haigood. “More theaters are now being designed with consideration to aerial rigging and some older theaters are being retrofitted to accommodate it.”

Along with supporting safe and increased opportunities, two primary festival priorities are presenting works that highlight vertical dance’s diversity and expanding the opportunities for exchange—artist to artist and artist to audience.

With contemporary aerial dances tracing connections to everything from ballet to Burning Man, Haigood suggests the art form’s “instigator of change” atmosphere is thriving.

Although still using bungees, silks, slack ropes and other traditional tools of the trade, the art form this year invites broader engagement by moving beyond sheer physical prowess and beauty to address issues of social justice, sisterhood and brotherhood, human relationships to nature, architecture or gravity, and making known overlooked stories about aerial artists of color or breaking through gender or racial bias.

IF YOU GO
San Francisco Aerial Arts Festival
Where: Cowell Theater, Festival Pavilion, Firehouse, Fort Mason, Marina Boulevard and Buchanan Street, S.F.
When: Performances at 8 p.m. Aug. 10; noon, 3 and 8 p.m. Aug. 11; 8 p.m. Aug. 12
Tickets: $25 to $35
Contact: (415) 345-7575, www.fortmason.org
Acrobatic ConundrumBandaloopDanceJoanna HaigoodSan Francisco Aerial Arts FestivalTerry SendgraffZacco Dance Theatre

If you find our journalism valuable and relevant, please consider joining our Examiner membership program.
Find out more at www.sfexaminer.com/join/

Just Posted

People fish at a dock at Islais Creek Park on Thursday, June 10, 2021. (Kevin N. Hume/The Examiner)
What Islais Creek tells us about rising sea levels in San Francisco

Islais Creek is an unassuming waterway along San Francisco’s eastern industrial shoreline,… Continue reading

Organizer Jas Florentino, left, explains the figures which represent 350 kidnapped Africans first sold as slaves in the United States in 1619 in sculptor Dana King’s “Monumental Reckoning.” The installation is in the space of the former Francis Scott Key monument in Golden Gate Park. (Kevin N. Hume/The Examiner)
What a reparations program would look like in The City

‘If there’s any place we can do it, it’s San Francisco’

Officer Joel Babbs, pictured at a protest outside the Hall of Justice in 2017, is representing himself in an unusually public police misconduct matter. <ins>(Courtesy Bay City News)</ins>
The strange and troubling story of Joel Babbs: What it tells us about the SFPD

The bizarre and troubling career of a whistle-blowing San Francisco police officer… Continue reading

Real solutions to California’s wildfire problems

By Dan Walters CalMatters Physicist Albert Einstein is widely, albeit erroneously, thought… Continue reading

Father Paul J. Fitzgerald, President of the University of San Francisco, gives the invocation before Mayor London Breed takes the oath of office at City Hall on Wednesday, Jan. 8, 2020. (Kevin N. Hume/S.F. Examiner)
What universities learned from distance learning during COVID-19: A USF perspective

By Rev. Paul J. Fitzgerald, S.J. The relief is palpable. With vaccination… Continue reading

Most Read