‘Compulsion’ reveals a man on a mission

Audiences will recognize the photo of the young girl with the large eyes and dark hair. For those who lived through World War II and the 50 years that followed, Anne Frank is an unforgettable icon. 

Perhaps not so familiar is Sid Silver, the central character of Rinne Groff’s “Compulsion.” In this riveting new play, which made its world premiere Thursday as the first production of the Berkeley Repertory Theatre’s 2010-11 season, Silver is the man who brought Anne Frank’s immortal “The Diary of a Young Girl” into the light.

Based on Meyer Levin — the real-life journalist, author, playwright and puppeteer — Silver is, as the title suggests, a man obsessed, not just with getting Anne’s diary published, but with preserving her as a symbol for Jewish identity.

It’s an epic struggle, and Groff’s script follows it to the end as Silver fights the publishing world, the legal system, Anne’s father, Otto, and the theater producers who think his stage adaptation of the diary is a little “too Jewish.”

If he’s ultimately successful, he wreaks considerable havoc while pursuing his singular quest.

Starring Broadway actor Mandy Patinkin, the play emerges as a fascinating slice of 20th-century history, infused with political insight, poetic yearning, literary name-dropping and plenty of Jewish humor. 

Director Oskar Eustis — whose Public Theatre co-commissioned the work with Berkeley Rep and Yale Repertory Theatre — brings the discrete threads together in a vigorous production with sets by Eugene Lee, lighting by Michael Chybowski, costumes by Susan Hilferty and sound by Darron L. West. 

Patinkin gives a bravura performance, tempering Silver’s high ideals with relentless drive, an explosive temper and a cruel vindictive streak. 

Despite the character’s flaws, he makes Silver sympathetic. Patinkin, who got a hand just for walking onstage at the start of opening night, earned a genuine ovation by the end. 

Hannah Cabell plays Silver’s beleaguered French wife and his New York publisher. Matte Osian fills out the cast as various lawyers, agents, directors and lackeys. 

Matt Acheson’s marionettes — especially the one who speaks for Anne — enter and exit from above the stage, adding a haunting dimension.
 
The 2½-hour production isn’t perfect. It could use some judicious edits, especially in the second half. Yet by evening’s end, “Compulsion” offers a potent reminder of the truths Levin dedicated his life to keeping alive.

IF YOU GO
Compulsion

Where: Berkeley Repertory Theatre, 2025 Addison St., Berkeley
When: 8 p.m. Tuesdays and Fridays, 7 p.m. Wednesdays, 2 and 8 p.m. most Thursdays-Saturdays, 2 and 7 p.m. Sundays; closes Oct. 31
Tickets: $14.50 to $73
Contact: (510) 647-2949, www.berkeleyrep.org

artsBerkeley Repertory TheatreCompulsionentertainment

If you find our journalism valuable and relevant, please consider joining our Examiner membership program.
Find out more at www.sfexaminer.com/join/

Just Posted

SFMTA cuts wellness program for Muni operators during pandemic

BackFirst provided preventative care for chronic disease plus help with diet, exercise and stress

California’s troubled unemployment agency needs immediate overhaul, report says

By Patrick McGreevy Los Angeles Times California’s antiquated unemployment benefits system requires… Continue reading

In Brown Type: New survey finds engagement and trend to progressivism among Asian American voters

The 2016 election and ‘Trump effect’ have fired up the voting bloc

Ruth Bader Ginsburg, liberal giant of the Supreme Court, dies

Justice Ruth Bader Ginsburg, who championed women’s rights — first as a… Continue reading

Four officers found to have committed misconduct escape discipline

Four officers who should have been punished for misconduct escaped discipline because… Continue reading

Most Read