Jean Schiffman

Streams go wild, from ‘King Lear’ to ‘Three’s Company’

‘Quack,’ ‘Paris Effect’ also worth checking out

Shotgun Players’ ‘Niceties’ perfect for these times

SF Playhouse Zoomlets take audiences behind the scenes

Check out Play at Home, Mime Troupe, Summer Briefs

Radio serials, new short scripts, and more

SF Playhouse hosts Zoomlets, David Hirata does magic

If being a fly on the (digital) wall at a first rehearsal…

From ‘Rhinoceros’ to Chekhov and Black Lives Matter

Theater classics go online, troupes take viewers behind the scenes

PlayGround celebrates 25 years with big Zoom Fest

Local theaters expand online activity with plentiful offerings

Podcasts, performances from Marsh, SF Playhouse, Magic and more

Theaters cleverly transition from stage to small screen

‘Toni Stone’ tells story of little-known baseball hero

ACT to provide recording of show to ticketholders

Magic Theatre’s ‘Mangos’ a rich, memorable family tale

Ricardo Pérez González premiere cleverly weaves varied tones

‘Retablos,’ ‘On the Periphery’ explore life on the border

Word for Word, Golden Thread, Crowded Fire dramas set in Texas, Turkey

‘Human Ounce’ engagingly explores art and responsibility

‘The Supers’ packed with clowning and chaos

Fitzgerald classic springs to life in ‘Gatz’ at Berkeley Rep

‘Born in East Berlin’ explores pivotal Springsteen concert

Strayed’s advice works better on page than stage

Clever staging lifts SF Playhouse’s ‘Tiny Beautiful Things’

‘Wakey’ a touching meditation on the meaning of life

Tony Hale charms in ACT production of Will Eno’s almost one-person show

Strong casts, puzzling plays from Custom Made, Cutting Ball

‘How to Transcend a Happy Marriage,’ ‘Ways to Leave a Body’ prompt lots of questions

Open marriage goes wrong in funny ‘PolySHAMory’

Yet Kate Robards’ teasing show looks at complex issues slightly

‘Becky Nurse of Salem’ takes on too many issues

Playwright Sarah Ruhl’s heavy handed in Berkeley Rep premiere

Shotgun Players stage hypnotic ‘Vinegar Tom’

Caryl Churchill’s 17th century-set witch play is funny, musical, provocative

‘Pride and Prejudice’ comes to TheatreWorks’ stage with music

But handsome production based on classic novel lacks Austen’s trademark tone

‘Triptych of hell’ inspires ‘Atomic Clown’

Sara Moore details bad spell in funny semi-autobiographical play