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Jeffrey M. Anderson

‘Arbitrage’ taps ’70s style, current events

It’s no surprise that Nicholas Jarecki’s excellent feature directorial debut “Arbitrage” looks and feels like a 1970s film. “Arbitrage” tells the grown-up story of a hedge fund manager, Robert Miller (Richard Gere), fighting to save his fortune while trying to cover up a fatal accident. Read More

‘Plums’ up for Marjane Satrapi

Marjane Satrapi already has documented her incredible life story about her escape from Iran, schooling in Vienna and subsequent life in Paris in the graphic novel and animated movie “Persepolis.” Now, in her wonderful second feature film “Chicken with Plums,” opening this week, she turns to other matters: life, love and food. In the film, violinist Nasser Ali Khan — whose favorite dish is chicken with plums — decides to die. Read More

Fall Film Preview: Fall into the Movies

The fall movie slate is perhaps the most exciting. Roller-coaster rides have ended, and it’s time for serious stuff in the warm-up to awards season, where real risks are taken. But it’s also Halloween, bringing spooky flicks. This year, there will be kisses, screams and gunshots, one or two great, lasting works of art, and amazement. Read More

You are now entering ‘Cosmopolis’

Directed by David Cronenberg, who adapted it from Don DeLillo’s 2003 novel, “Cosmopolis” is a deeply subversive, deeply intelligent movie for grown-ups. It’s also a brilliant vehicle for Cronenberg’s pet theme: the elusive point at which thought meets the human body.A million miles from “Twilight,” Robert Pattinson stars as Eric Packer, a 28-year-old multibillionaire. “We want a haircut,” he announces to his security man (Kevin Durand), referring to himself in the plural. And he is two people: a figurehead who symbolizes wealth as well as a flesh-and-blood human being. Read More

A strange family film from Peter Hedges

“The Odd Life of Timothy Green” is certainly odd for a Disney film.Based on a story by Ahmet Zappa, it’s about loving married couple — played by Joel Edgerton and Jennifer Garner — who can’t have children, but “invent” one. They write attributes on pieces of paper, place them in a box and bury it in the garden; the next morning, a young boy, covered in dirt and leaves, appears. Read More

‘Bourne’ to lose

“The Bourne Legacy” looks like a reboot, but it’s more of a sequel. Either way, it’s a mostly unnecessary addition to the smart, exciting “Bourne” trilogy based on characters created by novelist Robert Ludlum. The new movie’s story takes place about the same time as events of 2007’s “The Bourne Ultimatum.” Matt Damon is not here, but his Jason Bourne is on the sidelines, appearing as a phantom in documents and news reports, and spoken about in hushed tones. Read More

Friedkin’s killer instinct

Seventy-six-old filmmaker William Friedkin’s ferocious new movie “Killer Joe” looks like it was made by a 26-year-old. Yet Friedkin — who won a best directing Oscar for “The French Connection” and directed one of the biggest hits of all time, “The Exorcist” — claims he didn’t do anything other than pick the right script, cast the right actors and show up. Read More

Friedkin’s killer intinct instinct

Seventy-six-old filmmaker William Friedkin’s ferocious new movie “Killer Joe” looks like it was made by a 26-year-old. Yet Friedkin — who won a best directing Oscar for “The French Connection” and directed one of the biggest hits of all time, “The Exorcist” — claims he didn’t do anything other than pick the right script, cast the right actors and show up. Read More

Director explores paranormal in ‘Red Lights’

While working on his new horror-mystery “Red Lights,” Spanish-born filmmaker Rodrigo Cortés walked a fine line between the real and the unexplained. In the movie, which opens Friday, Cillian Murphy, as a man who works with a paranormal investigator (Sigourney Weaver) takes it upon himself to explore, what happened to a famous psychic (Robert De Niro) who became a recluse. Cortés, who made the film “Buried,” says he researched the topic for a year and a half, studying views of both skeptics and believers. Read More

‘Dark Knight’ a powerful summer epic

Christopher Nolan's “The Dark Knight Rises,” the third in his Batman series, and eighth Batman movie overall (counting the 1966 comedy), is the biggest of them all. Coming in at nearly three hours featuring a story spanning years, it's a battle epic for the ages. But it’s also rooted in the world’s current economic woes, and growing frustration over a widening gap between the ultra-rich and the have-nots. After the destructive events of “The Dark Knight,” Bruce Wayne (Christian Bale) has become a recluse; it follows that Batman also has not been seen in years. Read More

The dramatic final days of Marie Antoinette

So many costume dramas come dead on arrival, concentrating more on re-creating, rather than creating, an era. Two recent yawn-inducing samples: “The Duchess” and “The Young Victoria.” On the other hand, Benoit Jacquot’s “Farewell, My Queen” — opening night feature at the San Francisco International Film Festival in April and now in local theaters — unfolds with urgency. Its intense focus is on events of given moments, rather than events of history. Read More

'Take This Waltz' is daring, passionate

“Take This Waltz,” the second feature film directed by actress Sarah Polley, is a crushing, but breathtaking, look at romance – the kind rarely, if ever, portrayed in movies. Polley's previous film, the outstanding "Away from Her," delicately explored longing and heartbreak. Here she goes a step further. Read More

'Web and Flow' with Spider-Man

‘The Amazing Spider-Man” is a total reboot from the ground up, replacing just about everyone involved in Sam Raimi’s “Spider-Man” trilogy. With Raimi’s “Spider-Man 2” being one of the two or three great superhero movies to date, the new film — with Andrew Garfield taking over for Tobey Maguire as the title character —  has big shoes to fill. While Garfield may look more like a superhero, Maguire was a much better fit in the role.   Read More

Everyday ‘People’

In his directorial debut, screenwriter Alex Kurtzman — known for blockbusters including “The Island,” “Transformers,” “Star Trek” and “Cowboys & Aliens” — has taken a 180-degree turn from popcorn movies. Opening Friday, “People Like Us” tells the story of a man who, after the death of his father, learns he has a half-sister.In real life, Kurtzman made a similar discovery, though it was as simple as a woman coming up to him at a party and saying, “I’m your sister.” The movie is a good deal more emotionally complex. Read More

Pixar’s latest project hairy and successful

According to industry buzz, Pixar’s new movie “Brave” was troubled, in that original director Brenda Chapman was replaced 18 months ago by Mark Andrews, though they share directing credit on the final film. But such changes aren’t necessarily bad. Something similar happened on “Ratatouille,” which opened to great acclaim and brisk box office, and eventurally won an Oscar. Read More
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