At the beginning of San Francisco-based playwright Octavio Solis’ riveting new drama, “Se Llama Cristina,” premiering at Magic Theatre, a couple is slumped in a drug-induced stupor at a Formica table in a bare, seedy room. Surfacing, they’re so wrecked they don’t even know their own names, let alone where they are and why, and who the other person is. The man is horrified to see a needle sticking out of his own arm and drug paraphernalia on the table. Read More