In the new movie “Hitchcock,” two dissimilar directors — one living, one dead — collide.
In 1960, Alfred Hitchcock wanted to move away from the glossy color movies Hollywood had been making. But no one wanted to finance “Psycho,” so he decided to put up the money himself.
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“What if someone really good made a horror picture?”
That’s the enticing proposition Alfred Hitchcock puts forth in the new biopic “Hitchcock,” a dramedy about the making of the movie “Psycho,” the director’s risky, triumphant fusion of terror and art.
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