Masks scare people. Their stony visages — frozen fixtures in place of living, breathing, twitching human faces — are intimidating and unnerving.But they are also iconic. From Ancient Greek choruses to today’s international hacking collective Anonymous, masks have been used to reveal as much as they intend to hide. Photographer Ralph Eugene Meatyard revels in this paradox in a show of more than 50 images, “Dolls and Masks,” on view at the de Young Museum through February. Read More