The tragedy of “Elektra” echoes through the American Conservatory Theater this month, as Sophocles’ bloody tale of vengeance in the aftermath of the Trojan War once again casts its mesmerizing spell.
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“How can you honor the dead if you have no faith?” demands Isaac, the gay, born-again-Jewish son of an architect, Michael.Insists Michael, “I know how to encapsulate grief!”Workaholic Dad, famous for building memorials, has left his heritage so far behind that he never circumcised his son, much to Isaac’s everlasting chagrin.
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