Once the famed bad boy of dance, Mark Morris is now known as the grand old man of the genre — the characterization having more to do with the nature of his art, rather than his age, 55. The choreographer, whose 1989 “Dido and Aeneas” returns to Cal Performances in Berkeley this weekend for the first time in a decade, has gone from infamous to truly famous — not so much because he has changed, but because the world has caught up with his quirky, imaginative and sincere creations. Read More