Glancing at her resume, becoming a cabaret chanteuse would not seem to have been a primary goal for Emily Bergl.
However, despite making a splash on big and small screens for the last decade — her film debut was 1999’s “The Rage: Carrie 2” — music has always been lurking in the shadows just waiting to grab her by the arm.
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Maybe this is how the world ends — not with a bang, but a wheeze. Paranoia seems almost sensible under certain circumstances — a late-night stroll through a dark alley, perhaps — but what about riding the bus to work, where killers could be sitting beside us, polluting our space with their germs? If the idea isn’t enough to terrify, it should at least give you pause, which is what Steven Soderbergh’s “Contagion” does with unsettling precision.
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The best acting usually draws on personal experience, and Matt Damon felt right at home playing Mitch, a shell-shocked everyman struggling to shield his daughter from the fallout of a deadly virus, in Steven Soderbergh’s “Contagion,” due Friday.
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