Layered with intrigue but hollow where it counts, “The Words” serves up romance, ambition, plagiarism and heartbreak in stories of three authors who have let literary aspiration usurp love. But enticingly constructed gimmickry cannot compensate for a lack of pithiness and passion in this story about great writing.
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Self-preservation is an instinct we laud in our heroes, but what about the corporate hucksters of “Margin Call,” J.C. Chandor’s engrossing thriller about a financial firm about to face the music for years of reckless mismanagement?
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