“So – what do you see yourself doing in five years?”
It’s a standard job interview question. But for Army veteran Dean Trusk, the central character in George F. Walker’s “Dead Metaphor,” the answer is anything but typical.
Trained as a sniper, Dean was valuable in America’s most recent war. Now, after two tours of duty, he’s been home for five months, and his particular skill set only makes prospective employers nervous.
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The plot of David Mamet’s latest play, “Race,” which premiered on Broadway in 2009, is as simple — and as freighted— as its title. The talky drama at American Conservatory Theater hits the ground running and for 80 minutes or so never slows down.A wealthy white man, Charles Strickland (Kevin O’Rourke) accused of raping a black woman in a hotel room, has arrived at a law firm claiming innocence.
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