“Holy Motors” is only the fifth feature film in 28 years by Leos Carax, who is perhaps the most mesmerizing, poetic and baffling filmmaker in France. His best film, “Les Amants du Pont-Neuf” — released here in 1999 as “The Lovers on the Bridge” — reached the glorious, grandiose heights of passion that “Gone with the Wind” and “Titanic” were praised for. On the other hand, the amazing “Holy Motors” is more about the remnants of passion. Read More