If Tennessee Williams had been born black, he might have written a play like Christina Anderson’s “Good Goods,” receiving a stellar West Coast premiere by the ever-adventurous Crowded Fire Theater.Anderson’s script is so dense — and the dialogue so melodiously thick — that it takes a while to grasp the nuances of the various relationships among the characters in Good Goods, which is a dry-goods store in a small, blue-collar Southern town. Read More