Traditionally, horror movies have been measured by how effectively they thrill and chill audiences.But after film scholars including Robin Wood and Linda Williams began examining those visceral reactions on an intellectual level, a crop of new horror movies — films that deconstructed horror movies, from  “Scream” to last year’s “Tucker and Dale vs. Evil”— emerged. Now, Joss Whedon’s genius “The Cabin in the Woods” takes this deconstruction to a new, cosmic level. Read More