The clipped, repetitive banalities exchanged by the middle-aged couple in the first half of Scottish playwright Linda McLean’s “Any Given Day” recall, in some ways, the dialogue in the mid-20th-century plays of Eugene Ionesco or Harold Pinter. “Jackie wouldn’t come in the dark,” says Bill.“No no,” says Sadie. “She couldn’t come in the dark.”“Don’t worry.”“We couldn’t open the door in the dark.”“No.”“Not once it’s dark.” Read More