In the San Francisco Ballet’s Program 6, two new and adventurous pieces bracket a simple, excellent and satisfying work.Company artistic director Helgi Tomasson frequently choreographs in the manner of “a step per note” — not a good thing — but in case of his 2004 “7 for Eight,” revived this season, it really works for the best.
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Christopher Wheeldon's “Ghosts,” in a gorgeous San Francisco Ballet world premiere performance Tuesday in the Opera House, is the kind of ballet dreams are made of. It’s Wheeldon's sixth commission from the ballet, and his very best.
"Ghosts" is a neoclassic delight. With its continuous flow and music materialized in movement, it is fascinating, engrossing and fulfilling.
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