When The SF Examiner spoke to young British belter Adele last January, she was laughing about crazy promotions she was doing for her then-upcoming sophomore recording “21” — like flying on a snowstorm-buffeted puddle jumper into the Midwest to perform for executives of Target and Best Buy, chains that supported her debut, “19.”
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Like many young artists, British electronic conceptualist James Blake could disavow any influence from his equally famous father, ex-Colosseum guitarist James Litherland.
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