For American-born, British-based keyboardist Tori Amos, there’s no such thing as playing it safe.For her new 12th album, “Night of Hunters,” the erudite daughter of a Methodist minister uses Robert Graves’ book “The White Goddess” — and a shapeshifting character called Annabelle — to examine the fall of female-centered Celtic mythology (and deities like Morrigan and the huntress Arduinna) to male-dominated monotheism. Read More