Sheetal Ghandi tells tale of three women 

click to enlarge Life’s a challenge: In her solo performance piece “Bahu-Beti-Biwi,” Sheetal Gandhi addresses limitations women in India are facing. - COURTESY PHOTO
  • COURTESY PHOTO
  • Life’s a challenge: In her solo performance piece “Bahu-Beti-Biwi,” Sheetal Gandhi addresses limitations women in India are facing.

Choreographer, writer and performance artist Sheetal Gandhi's gentle persona and youthful, lilting voice belie the emotional power behind her one-woman performance piece "Bahu-Beti-Biwi."
Translated from Hindi, the title means, "Daughter-Daughter-in-Law-Wife." The charged phrase illustrates proscribed roles that still define the life of Indian women today.
The Oakland-born Gandhi, who took a circuitous path to fully understand the roles, brings them to the stage in her show, which opens Friday at ODC Theater.  
At 15, on her first trip to India, she met several young women in her family, who gradually revealed their personal stories and collective plight.
"They were only five or six years older than I and already married," Gandhi says. "We all shared the same hopes and dreams. But they married men they didn't know, moved in with (his) parents and took the lowest position in the hierarchy. For at least the first five years these women had to suck it up and take anything thrown at them. I felt feel deeply for them."
In the piece, Ghandi portrays three characters, morphing from young newlywed to aged crone through clever costume manipulations, changes of level and varying speech quality. She weaves their stories together with an unexpected and often amusing combination of text, rhythmic vocalizations and modern dance styles.
Trained in Western dance forms, Ghandi discovered a deep affinity with both rhythmic and contemporary movement.
"I fell in love with modern dance during college because of its integrity and emotional expressiveness," she says.
During her junior year abroad, she studied and performed with a West African touring dance company in Ghana. Later, in graduate school, she returned to India to explore her own cultural rhythms, studying kathakali dance and advancing to the fifth level of training in only 2 1/2 months.
 After injuries dashed her dreams of a dance career, she turned to theatrical performance art. "My time in Ghana showed me that I didn't have to give up. My talent was more than modern technique and there was a lot that I could draw upon."
 For the American-born daughter of Indian parents, the concept of carving out a career in performance art was not an easy sell. "It was particularly difficult for them because nobody we knew was doing this," she says. Still, the heartfelt words of an aunt in India buoyed her courage to pursue a bold creative path.
"I'm like you," she told Gandhi in her broken English _ "young blood."

IF YOU GO  

Sheetal Gandhi

Where: ODC Theater, 3153 17th St., S.F.
When: 8 p.m. April 19-20, 7 p.m. April 21
Tickets: $20 to $30
Contact: (415) 863-9834, www.odctheater.org 

About The Author

Andrea Pflaumer

Andrea Pflaumer

Bio:
Andrea Pflaumer is a Berkeley-based author and journalist and former dancer who writes dance and arts previews for the San Francisco Examiner. She has just published her first book: Shopping for the Real You.
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