Although a simple DNA test would solve Sophie Sheridan’s dilemma, it’s much more fun to watch the 20-year-old as she tries to determine just who is her dad in the musical phenomenon known as "Mamma Mia." Currently there are 10 productions of the show running worldwide. Now back in San Francisco for the fourth time (the 1999 London hit had its celebrated pre-Broadway tryout at the Orpheum in 2000), the show remains thoroughly fun and satisfying — on a number of levels.
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Not too far into her set at the Plush Room in San Francisco Tuesday, Katey Sagal told the audience, "My secret passion is for songwriting … but my life kind of took a different turn."
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It’s that time of year again — for the San Francisco Fringe Festival. The 16th annual event brings some 250 performances to eight stages in 12 days. The shows, featuring artists from all over the country (and England and Canada, too), range from the funny to dramatic to the just plain weird. In the spirit of the wide-open appeal of the festival,here’s an extremely random sampling of what’s being offered this year.
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At the outset of Sunday night’s show at Concord’s Sleep Train Pavilion, Stevie Wonder introduced his lovely daughter (and backup singer) Aisha Morris, telling the hyped-up audience that spreading joy, to honor a request by his late mother, was primary among his reasons for returning to the concert stage for the first time in a decade. In the third gig of his "Wonder Summer’s Night" tour, Wonder, who’s scheduled appear Sept. 4 in a sold-out show at the Mountain Winery in Saratoga, fulfilled that promise — and then some.
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Iconic comedian Joan Rivers, 74, is in The City, presenting workshop performances of her new autobiographical play "The Joan Rivers Theatre Project" at the Magic Theatre as well as performing her stand-up act at the Plush Room. She chatted on the phone with The Examiner recently while having her nails done.Why did you bring your show to San Francisco? I think the audiences here are so smart. There are straight smarties, and gay smarties.Where are you hanging out during your stay? At the Magic, rehearsing.
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In real life, Julie Delpy seems a lot like the sexy, chatty, smart, meandering philosophical character she plays in "Before Sunrise," "Before Sunset" and in her new movie, "2 Days in Paris," which she also produced, wrote and directed. "There is a little bit of me, somewhat," she says, in Celine, from the "Before" films, and Marion, in the recent release. "I’m similar in that I’m a New York woman in the 21st century raised by a feminist mother and a feminist father." She’s pleased when people tell her that they think "2 Days," which opened this week, is a feminist film.
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During Thursday’s opening night of the 137th edition of Ringling Bros. and Barnum & Bailey Circus in Oakland, a big video screen at the side of the floor (a new feature) flashed with a phrase that said the circus is older than baseball, Disney and Coca-Cola. It’s a sobering fact; what’s equally interesting is that traditional elements of the most recent version of The Greatest Show on Earth are by far its most fascinating parts.
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Before the 2007 Bay Area Rhythm Exchange — the big performance component of this year’s Bay Area Tap Festival — began Saturday night at San Francisco’s Herbst Theatre, it wasn’t necessarily easy to generalize about the kind of people in the audience.But after the terrific "shim sham finale," it became clear that the folks at the show were tap dancers themselves, and mighty fine ones.At least a few dozen dancers of all ages, shapes and sizes from the crowd joined the professionals onstage for several group routines. A bunch pulled off some nifty solos, too.
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Carol Woods has got the blues. So do Freda Payne, Paulette Ivory and Maurice Hines. But Woods has them more. The singers, appearing in "Blues in the Night" onstage at San Francisco’s Post Street Theatre, are all radiant, but Woods somehow goes the extra distance.
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Jazz queen Diana Krall seemed to thoroughly enjoy her show Wednesday night at San Francisco’s Davies Symphony Hall.She’s liked frequent recent visits to the Bay Area, she said, also mentioning that she’s been on tour for "nearly three years" and that her two baby boys are fine.Ever so cool, tossing her silky long hair and tapping her deliciously high-heeled feet while enlightening the audience with just enough witty banter, Krall and her superb trio played an impeccable set of straight-ahead jazz, mostly swinging standards.
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A performance psychologist who treats athletes, Ahern is author of "Snap Out of it NOW!," a book that outlines concrete ways people can overcome mental obstacles to perform at the peak level in every area of their lives. Ahern will sign books at 12:30 p.m. Thursday at Alexander’s Book Co., 50 Second St., San Francisco.Why did you write the book? I had to. I couldn’t move on without it. If I did, I’d be missing the next half of my life.
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It really was never a question that Nik Wallenda would do anything but walk on wires. Coming from seven generations of circus performers — his great-grandfather was Karl Wallenda, who introduced the high wire to America in the 1920s with Ringling Bros. — Nik never was trained in any pursuits of a more mundane nature.He started clowning at 2 ("I’d come out in a pillow case," he says), but by the time he turned 13, after practicing "for his whole life" and proving himself to his family, he began performing on the high wire.
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Caille Millner’s memoir isn’t warm and cozy, and after completing its 245 pages, readers won’t necessarily feel particularly close to her. Yet at the same time, the journey the extraordinary young woman describes with razor-sharp prose and insight in "The Golden Road: Notes on My Gentrification" (Penguin Press, $22.95) is thoroughly unique, engaging, and, most of all, thought-provoking.
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"Avenue Q," the Tony Award-winning show coming to San Francisco this week, grew out of a project for a musical theater class. Bobby Lopez and Jeff Marx wrote something called "Kermit, Prince of Denmark," in which they proved the power of combining puppets and the Bard.
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Rufus Wainwright brought his inimitable, international show to San Francisco’s Masonic Auditorium on Saturday, playing songs from his new album "Release the Stars."That title tune, which opened the show, didn’t seem like just a metaphor. In the course of a couple of hours, the stylish, sassy, musically diverse performer touched — or rather, dazzled — the audience with light and dark musical colors.
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