San Francisco choreographer Sean Dorsey likes stories.
With his company Sean Dorsey Dance, his most recent projects have mined personal histories from the LGBT community, including “The Secret History of Love,” which returns to Dance Mission Theater on Thursday.
“I became passionate about uncovering, documenting and sharing stories that get lost from mainstream history and fall between the pages of family albums,” Dorsey says.
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When Emily Dreblow started working with flowers, she thought it would just be for fun.
“I thought of it as a wonderful hobby,” says Dreblow, a social worker-turned-floral designer commissioned to create a piece for Macy’s Flower Show, which starts Sunday and runs through April 7 at the Union Square store.
Dreblow, founder of Soulflower Design Studio in the Dogpatch neighborhood, plans to use orchids, tropical leaves, natural textural elements and seasonal blooms such as tulips and ranunculus in her Bouquet of the Day, scheduled to be on view April 2-4.
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Talking to comedians can be difficult for one of two reasons: Either they don’t make you laugh at all, or they make you laugh too much.
Deadpan king Steven Wright, appearing Friday at the Regency Ballroom in The City, has the same measured, monotone delivery in conversation as he does onstage, making it difficult to know (especially over the phone) when to speak or when to wait for him to say something.
“So wha-”
“I, oh, I’m sorry, you go ahead,” he drawls.
“No you go ahead.”
“No you go ahead.”
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If Garry Winogrand has been criticized for being indiscriminate, the San Francisco Museum of Modern Art’s new exhibition of his work proves the reverse. At the very least, Winogrand was consistent in his obsession with people.
“Garry Winogrand,” the first retrospective of the photography giant in 25 years, is a joyous, witty celebration of human life.
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“Honoring the Celtic Woman” is the theme of 2013 Irish heritage celebrations in The City, making San Francisco Fire Chief Joanne Hayes-White the perfect grand marshal for the annual St. Patrick’s Day parade on Saturday. “I’m very proud of my Irish heritage,” says Hayes-White, who was born and raised in San Francisco. Her maternal grandparents are from Ireland, and her father emigrated from the Emerald Isle in 1949.
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Flagellant songs and the “dancing plague” don’t exactly sound like a good time, but Bay Area early music group Cançonièr promises otherwise.
“Choreomania: Music for the Dancing Plagues of Medieval and Renaissance Europe” opens Thursday in Palo Alto, and added shows are in Berkeley on Saturday and The City on Sunday.
“Many people think the medieval period was depressing and full of religious guilt,” says Tim Rayborn, a Cançonièr co-founder. “But there was also a lot of joy. There’s a tremendous amount of fun in this music.”
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San Francisco Ballet’s Program Four is perfect for those who think they don’t like ballet.
Works by George Balanchine, Christopher Wheeldon and Alexei Ratmansky make a lively mixed bill; Wheeldon’s “Within the Golden Hour” fired up the house enough to get an unusual standing ovation mid-program on Friday’s opening at the War Memorial Opera House.
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Notable among the 180 films from 40 countries screening in San Jose at Cinequest Film Festival 23 is the world premiere of director Thomas Farone’s “Aftermath” starring the late Chris Penn — it was the last film Penn made before he died in 2006.
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With some 250,000 spectators expected, San Francisco’s Chinese New Year Parade doesn’t seem like a particularly appropriate setting for a clue-packed sleuthing event.
Yet hundreds of amateur gumshoes are getting set to take on absurd challenges in the Chinese New Year Treasure Hunt on Saturday.
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The late Diana Vreeland, the visionary editor who transformed Harper’s Bazaar and Vogue, is being celebrated this week in an event appropriately featuring San Francisco’s own favorite fashionista, philanthropist Joy Venturini Bianchi.
“For me, fashion is more of a spiritual philosophy, and I think it was true for Vreeland, too,” says Bianchi, who appears at the Castro Theatre on Wednesday for a special screening of the 2012 documentary “Diana Vreeland: The Eye Has to Travel.”
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Princesses never go out of style, and no one knows it better than Disney.
“Dare to Dream,” the latest Disney on Ice production — opening in San Jose on Wednesday before moving to Oakland on Feb. 27 — features two plucky contemporary Disney princesses, Rapunzel and Tiana, in a kaleidoscopic extravaganza.
They’re joined by other famed characters, including Cinderella, Prince Charming, Mickey Mouse, Minnie Mouse, Donald Duck, Goofy and more.
At just 22, Kendra Moyle gets to live out Rapunzel’s dream on a pair of ice skates.
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Shame on local ballet fans who don’t get to the War Memorial Opera House by Tuesday to see Hamburg Ballet perform John Neumeier's sumptuous, riveting “Nijinsky” on San Francisco Ballet’s Program 2.
Neumeier takes a layered approach to communicate Nijinsky's life (1890-1950), which, sadly, seemed to be the stereotype of the tortured artist.
Roles that rocketed him to stardom with Diaghilev's Ballets Russes are performed by various dancers (easily discernable with costumes inspired by Leon Bakst originals), often onstage simultaneously.
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With his measured, reasonable voice and always-thoughtful interviews on KQED’s “Forum,” Michael Krasny has earned his loyal fan base of National Public Radio devotees.Friday, as the broadcast journalist celebrates 20 years at “Forum” — the mayor has declared Feb. 15, 2013, “Michael Krasny Day” in The City — he will be the guest in his 10 a.m. slot, being interviewed by co-host Dave Iverson on 88.5 FM.
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With just 48 hours until Valentine’s Day, here are a few ways to celebrate. Unless noted otherwise, all of the events indeed take place Thursday — Feb. 14 to be exact.
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With just 48 hours until Valentine’s Day, here are a few ways to celebrate. Unless noted otherwise, all of the events indeed take place Thursday — Feb. 14 to be exact.
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