On the one hand, works in David Linger’s “Narratives in Porcelain” on view at Meridian Gallery evoke a vision of Russia that is straight David Lean — all bare birch trees, troikas, fur hats and snow-swept promenades.
The fuzzy black-and-white underglaze prints on translucent porcelain, made from photographs Linger took on a trip to Moscow in 1969, depict the romantic, melancholic vision of the Slavic world embraced in poetry, song and historically whitewashed cinema.
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Painter Scott Yeskel’s exhibit at Jack Fischer Gallery is titled “Mapping California,” but it could as aptly be named “Leaving California” or “EscapingCalifornia.”It is not a pervasive view of California he depicts. He ignores the wealthy enclaves of Hollywood and San Francisco, and the climatic diversity of the lush northern half of the state, and focuses entirely on the sunbaked sprawl of the less-affluent inland south.
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