I have a serious thing for sandwiches.
My first job as a teenager was making sandwiches at a deli, and that set my path forever. Cities I’ve visited around the world are defined by the sandwiches I’ve eaten there. Whenever I delve into a great dish at a fancy restaurant, at least 10 percent of my brain is thinking, “How could I turn this into a sandwich?”
So when I heard that V-105, run by ex-Garibaldis chef Daniel Martes, was creating some of the best sandwiches in San Francisco, I hit the ground running.
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The formula is as false as ever in the romantic comedy “Love Is All You Need.” But between cliches, director Susanne Bier supplies wonderful sparkle as her characters fall in love amid wedding-party minidramas in an Italian landscape overly conducive to sunset scenes.
Bier is known for making tragedy-laced family-centered melodramas such as “Brothers” and “In a Better World.” Changing gears, she now presents a semi-Danish pastry containing a Hollywood rom-com recipe shaded with signature serio-touches. It’s lightweight but engaging enough.
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If a sold out week-long run of Christopher Wheeldon’s “Cinderella” is anything to go by, San Francisco Ballet should note that story ballets and fairy tales sell.
“Cinderella,” which opened at the War Memorial Opera House on May 3 and closes May 12 – is a lavish, glittering, high-tech production with scenery and costumes by Julian Crouch. It made its world debut December in Amsterdam with the Dutch National Ballet; San Francisco Ballet’s run is the U.S. premiere.
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Everybody’s favorite nanny flew into the Orpheum Theatre on Wednesday.“Mary Poppins,” the Broadway musical based on P.L. Travers’ classic children’s book and the 1964 Disney film it inspired, is making its first Bay Area appearance, bringing the umbrella-toting British icon to life in a vibrant, kid-friendly production.
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San Francisco-based house-DJ duo on the rise Bells & Whistles returns to South of Market nightclub Harlot today, part of the busiest year ever for young Zack Yakovlev and Yanick Rieffel. Bells & Whistles plays the “Sound” night at the swanky club alongside Lisbona, supporting PBR Streetgang. Expect good times, fierce-looking ladies and some deep house, Yakovlev says.
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South Africa’s infamous apartheid regime is often considered one of the worst human-rights injustices of the 20th century. During the segregation policy’s early days, it had few opponents in government, but there was a lone female who spoke against it, making her mark on the South African history books.
That woman was Helen Suzman, and she is honored in “Helen Suzman: Fighter for Human Rights,” a pictorial history exhibit at the Katz Snyder Gallery at the Jewish Community Center.
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Sometimes discretion is simply the better part of valor — just ask Paula Cole. After winning a 1997 Grammy for best new artist — and composing the addictive theme song to “Dawson’s Creek,” “I Don’t Want to Wait” — the Berklee-schooled singer-songwriter saw the writing on the wall. “There was a huge change in the culture,” she says.
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It was a tough opening night for the cast of “Talk Radio” at Actors Theatre of San Francisco. Anyone unfamiliar with Eric Bogosian’s acerbic play might not have known that lead actor Christian Phillips was valiantly trying to correct a technical glitch of the radio station set at the beginning of the show.
With expert, seamless ad-libs, Phillips, in radio talk-show host mode, asked for a sound engineer and gamely tried to keep things going before finally breaking that fourth wall and stopping the show for a few minutes.
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On her BRIT Award-winning 2007 debut, “Made of Bricks,” Kate Nash was a Strawberry Shortcake-faced English teen who traded in whimsical sung-spoken folk ditties.
She’s grown up.
Now 25, she’s got a new fashion sense, a Rogue-from-“X-Men” hairstyle, a bratty all-female backing band, a punk album called “Girl Talk” (penned after her breakup with The Cribs’ Ryan Jarman), and an acting career in movies such as “Syrup,” “The Powder Room” and “Greetings From Tim Buckley.”
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The singer for the Grammy-nominated band As I Lay Dying has been arrested in a murder-for-hire scheme to allegedly off his wife, the Los Angeles Times reports.
Tim Lambesis was busted in a sting carried out by undercover officers, but he’s obviously never watched true crime on A&E because if he had, he would know that stuff like that never works out.
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