When 17-year-old model Kendall Jenner tweeted, “Just wish things could be easier sometimes mann,” the Kardashian runoff was immediately hit with attacks.
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And speaking of problematic people to follow on Twitter, ex-A’s star Jose Canseco has unleashed some doozies since being accused of raping a woman after drugging her.
Known for bizarre tweets in the past--“there is a quality control issue with my manfume”--now Jose has tweeted the name of his accuser along with an invitation to her to take a polygraph.
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Let’s catch up with Amanda Bynes. According to TMZ, this week she tried to board an airplane without an ID (her license is suspended). Instead, she offered up a great alternative: Just Google me.
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British upright bassist Oliver Steadman still recalls the help wanted ad like it was yesterday, on a webite in Oxford where people look for musical instruments for sale. But this one said “seeking a bassist for alternative-pop band.” Being only 17, he didn’t know what that oxymoron meant, so he went to meet them. “They” were keyboardist Jon Quin and singer-guitarist Brian Briggs, who went on to form the quirky folk-rock ensemble Stornoway with Steadman and his percussionist kid brother Rob, then 15. They had no choice, with Steadman being the only bassist who responded.
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Filmmakers David Siegel and Scott McGehee, who met at UC Berkeley, never have compromised, releasing just five films in 20 years, including “Suture,” “The Deep End,” “Bee Season” and “Uncertainty.”
Their latest film, the intelligent, heartbreaking “What Maisie Knew,” which opened this year’s San Francisco International Film Festival and gets its theatrical release this week, displays the same high quality.
Based on Henry James’ 1897 novel and updated to modern-day New York, the movie concerns a messy custody case.
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The siren song of the Caribbean calls to San Francisco dub producer Roommate, who road-tests a set of original, reggae-inflected electronic tracks at the Elbo Room on Sunday.
It’s not clear how much longer Justin McCauley, the Richmond district resident of seven years, has left in the Bay, he says.
“S.F. has been good to me over the years, but I’m getting the itch to move back out of the country and get some more culture shock in my life,” he says. “I’ve never lived on an island and I’ve always wanted to try being isolated, seeing what it would do to me as an artist.”
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The late Rex May was a successful graphic designer, best known for creating San Francisco’s 49-Mile Drive logo. He was also an avid collector of Mexican art, giving his collection to the Mexican Museum in 2001.
“An Inspired Gift: The Rex May Collection of Popular Art” is on display at the museum until next year. It contains some 400 masks, paintings, ceramic figurines and other pieces, arranged to evoke the feeling of how they looked when they occupied May’s Victorian home. It’s a refreshing approach.
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Based on two successful comedy albums of the 1960s, “When You’re In Love, The Whole World Is Jewish” promises nostalgic dollops of good-natured, goyim-friendly guilt and guffaws at the Marines’ Memorial Theater this weekend.
The original album, “You Don’t Have To Be Jewish,” featured soon-to-be classic schtick by a cast that included Lou Jacobi, Jack Gilford and Arlene Golonka. “When You’re In Love” was the sequel and featured a young Valerie Harper filling in for Golonka.
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LL Cool J may be one of the elder statesmen of rap, rhyming since his 1985 platinum debut, but he has been out of the game recently, focusing on acting, starring in films and on “NCIS: Los Angeles,” and hosting the Grammy Awards.
He has no intention of giving up either pursuit.
“I just didn’t want to abandon my music,” the rapper-actor says. “If I didn’t do it now, I may have never gotten to it.”
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A man impersonating the Korean pop star Psy lived it up in Cannes, and the story is hilarious.
The stocky Asian imposter in big sunglasses showed up at various restaurants and clubs and surrounded himself with security guards complete with earpieces and dark shades, according to the New York Post.
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