Even visual artists like to go acoustic now and then, back to the basics. That’s the underlying vibe charging "ArtHaus on Paper," a show at the Brannan Street gallery through June 23. "Ninety percent of our artists who are painters do works on paper," said James Bacchi, director of ArtHaus. Pieces from varied artists make for a wide-ranging exhibition that explores different genres and styles.
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The Mark Foehringer Dance Project presents its 12th home season. The troupe world premieres "Bitter Fruit," a dance set to music by Steven Reich and John Adams. Performances are at 8 p.m. Friday and Saturday Cowell Theater, Fort Mason Center, Marina Boulevard and Buchanan Street, San Francisco. Tickets are $20. Call (415) 345-7575 or visit www.mfdpsf.org.
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Some sopranos singing the title role of "Lucia di Lammermoor" work their way up to the great climactic Mad Scene (and some die there ... or before), but not Talise Trevigne. This young, beautiful soprano from San Jose sang a "Lucia" on fire from the first note to the last Friday night, in a world-class performance in circumstances that couldn’t be humbler.
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Does summer theater mean Shakespeare? Yes and no. The number of festivals devoted to The Bard is in the hundreds, but — as you will see below — there is a wide variety of thespian joys out there. In this, the first of a two-part report (to conclude next Monday), we begin a chronological listing of notable theater events in the "greater Bay Area," which includes the Oregon Shakespeare Festival, a decades-long destination for San Franciscans, and a mere six-hour drive away.
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About the series: In a saloon town such as San Francisco, the bartender plays a crucial role. Confessor, friend, sounding board — the man or woman behind the plank sees to it that our needs are met with elegance, grace and often wit. They see humanity at its best and most convivial, but also offer a nod and a welcome to the lonely. But what do they see when they look at us? What are the tricks of their trade? And what lessons have they learned along the way? In this Examiner weekly feature, we talk to some of our local bartenders to find out.Bimbo’s 365 Club
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"The songs are so amazing in this film, I would have been an idiot to mess it up," says writer-director John Carney of his new film, "Once." Carney’s no idiot. "Once," an emotionally charged movie about two unlikely musical soulmates, aptly marries the random wanderings of fate with the actualization of one’s lifelong dreams. The end result plays like a visual album, as deep as it is moving, and whose actors, Glen Hansard ("The Commitments") and newcomer Markéta Irglová, create some of most moving moments to hit the screen this year.
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Two lonely hearts crescendo into insect-obsessed, codependent madness in "Bug," a psycho-romantic horror thriller directed by 1970s heavyweight William Friedkin. Don’t expect an effects-packed, extravagant chiller — never mind Friedkin’s "Exorcist" credentials. The film is a chamber-scale, material-worldly brand of creeper and — until it goes ludicrous — an inspired, crawly look at human need.
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The Castro Theatre presents "For Your Eyes Only," a three-day salute to James Bond’s classic screen adventures. The series opens with a double bill of "Dr. No" and "Goldfinger," both starring Sean Connery. Added attractions include an appearance by actor Richard "Jaws" Kiel. Saturday at 12:30 and 7 p.m. ("Dr. No") and at 2:30 and 9:10 p.m. ("Goldfinger"). The theater is at 429 Castro St. Call (415) 621-6120 or visit www.castrotheatre.com.
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Watching "At World’s End," Disney’s latest entry in the ongoing misadventures of Capt. Jack Sparrow, it’s easy to forget that the original "Pirates of the Caribbean" was inspired by something as simple as a theme-park ride. Four years later, the franchise has morphed into a labyrinthine juggernaut, with each successive story more convoluted than the last. And yet, in the end, there’s an anchor that keeps this ship from drifting too far astray — Sparrow, a rogue charmer who, in Johnny Depp’s capable hands, has emerged as one of the truly iconic characters of the last decade.
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Last week, Alice Waters, head of Slow Food USA, announced the first Slow Food Nation, a grand-scale national event scheduled for May 1-4, 2008 at Fort Mason in San Francisco. Many plans are afoot, including a marketplace of regional foods; a food film festival curated by Tom Luddy, director of the Telludride Film Festival; a living museum focusing on salmon, honey and corn; a sustainable fish market showcasing under-utilized species; a demonstration school garden; an American wine bar and food booths that represent San Francisco's diverse cultures.
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