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Places to go, people to see

Geraldine Walther, a former principal violist with the San Francisco Symphony and a current member of the Grammy-winning Takacs Quartet, performs. The performance is at 2 p.m. Sunday at the Florence Gould Theater, Legion of Honor, 100 34th Ave., San Francisco. Tickets are $38 to $42. Call (415) 392-4400 or visit www.chambermusicsf.org. Read More

‘Perfect storm of horror’

Eli Roth didn’t believe that America was ready for his brand of vicious, unrelentingly graphic splatter. Inspired by gritty Japanese legend Takashi Miike and backed by a producer named Quentin Tarantino, the 35-year-old director was sure his sophomore effort (after 2002’s "Cabin Fever") wouldn’t jibe with the safer, more tongue-in-cheek horror fare that had become the style of the day. (Think "I Know What You Did Last Summer," or any of Wes Craven’s "Scream" sequels.) Read More

The glory of Mahler beyond excess

Michael Tilson Thomas prevails. If he wants orgiastic music, he'll have it, no matter what. MTT had paired the final scene from Richard Strauss' "Salome" with Mahler's Symphony No. 7 for the San Francisco Symphony's season-closing concert series that began Thursday. Then soprano Lisa Gasteen canceled, and although MTT must have considered substituting the ever-loving "Dance of the Seven Veils," he sat at the piano instead for the first half of the concert, offering a crisp performance of the Mozart Sonata in E minor, K.304, with concertmaster Alexander Barantschik. Read More

Cage a mediocre `Ghost Rider"

"Ghost Rider," the two-disc extended cut, provides an excellent example of bad casting. Nicolas Cage is great as a wild, crazy villain in action movies, but terrible as a classic comic book superhero. His deadpan delivery is so out of place, it ruins any possible tension in the story or the fun the awesome special effects deliver. The effects are the best part of the movie, which struggles from ridiculous casting and a plotline that could be written by any junior scriptwriter in Hollywood. Read More

Meet your mixologist: Téa Funicello

About the series: In a saloon town such as San Francisco, the bartender plays a crucial role. Confessor, friend, sounding board — the man or woman behind the plank sees to it that our needs are met with elegance, grace and often wit. They see humanity at its best and most convivial, but also offer a nod and a welcome to the lonely. But what do they see when they look at us? What are the tricks of their trade? And what lessons have they learned along the way? In this Examiner weekly feature, we talk to some of our local bartenders to find out.Redwood Room Read More

Review: 'ShowBusiness: The Road to Broadway' revealing

Any chance to see a documentary that deals with the inner workings of Broadway musicals is a cause for celebration for many."ShowBusiness: The Road to Broadway" is a delight in many respects and a disappointment on other levels. This being her first feature-length movie, filmmaker Dori Berinstein (a three-time Tony-winning Broadway producer with an extensive film and TV producing and directing background) has chosen to cover quite a specific subject. Read More

Liss Fain presents ‘The Flood’

The Yerba Buena Center for the Arts will be flooded tonight. Yet it won’t be water filling its theater. Instead, Liss Fain Dance will be bringing together a deluge of talent — from young dancers to experienced filmmakers to long-dead painters — for the premiere of "The Flood." Read More

Review: 'Crazy Love' is unbelievable

Coasting on, simply, a terrific story, "Crazy Love" overcomes its shortage of directorial dash and triumphs as an engrossing documentary about an immensely, inimitably deranged relationship. He’s a possessive madman, and she, in her loyalty to him, is warped, too. But with their combination of extremity, intensity and longevity, the pair exude a fascination element, and filmmaker Dan Klores captures it. Read More

Places to go, people to see

More than 230 films from 25 countries screen at the 2007 San Francisco International LGBT Film Festival, "Frameline31." The 11-day celebration of LGBT cinema and experience opens at the Castro Theatre Thursday with a presentation of "The Witnesses," directed by French auteur Andre Techine ("Wild Reeds"). Screenings run through June 24 at various venues; tickets for most programs are $7 to $10. For details, visit www.frameline.org. Read More

Review: 'La Vie en Rose' shows vocal colors

Passion, souland a grand set of pipes distinguish many great singers, and, in the biopic "La Vie en Rose," French chanteuse Edith Piaf, as embodied by the superb actress playing her, delivers those assets supremely. The movie’s an imperfect spectacle, but the tiny woman with the gigantic voice keeps it dazzling as she plunges into, and belts out, her life with both grit and majesty. Read More
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